My Mozart 256 playlist

This is just a quick guide to the tracks in my Spotify playlist (http://spoti.fi/zmk5Ri) for Mozart's 256th birthday:

1. "Der Hoelle Rache" - sometimes called "The Queen of the Night's Aria" (although it's one of two she sings) from M's last opera, Die Zauberfloete/The Magic Flute. The Queen of the Night, enraged, instructs her daughter to kill her enemy, Sarastro. It's for soprana (highest female voice) and goes INCREDIBLY high (top F). Also incredibly famous.

2. First movement of the Symphony in G minor, number 40 (click the album link to listen to the other movements).

3. More from Zauberfloete. The Act 1 quintet. The really famous bit starts at 4:55 ("Drei Knabe...")

4. First movement of the "Jupiter" symphony, number 41 (click the album link to listen to the other movements)

5. "Nettuno s'onori" - a big, stirring chorus from M's first major opera, Idomeneo.

6. The hugely dramatic finale of Don Giovanni - the Don is dragged down to hell by the ghost of the Commendatore, who he killed. Very dramatic writing with lots of spiky chords - very far removed from the cliche of M as light, airy and fluffy.

7, 8 and 9 All three movements of K.283, the piano sonata in G. I played part of the second movement in the YouTube video tutorial that accompanies the playlist (embedded at the bottom of this post).

11. Nehmt meinen dank - a lovely, standalone aria written to be sung at the end of a concert as a thank-you to the audience - to my ears it always sounds amazingly modern.

How politicians have changed...

[From the Wikipedia entry for Robert Lowe, a Victorian Chancellor of the Exchequer.]

"During the 1870s the following epitaph was suggested for him by one of the wits of his day:

"Here lies poor old Robert Lowe;
Where he's gone to I don't know;
If to the realms of peace and love,
Farewell to happiness above;
If, haply, to some lower level,
We can't congratulate the devil."

Lowe was delighted with this, and promptly translated it into Latin..."

For @RojSmith and others: the Kindle vs. the codex #fb

OK, so the other day I bought a Kindle (very late, I know), and a few people have been asking me what I think. So below are some random-ish thoughts.

(BTW, a note on terms: a "book" is a long text that may be inscribed on a scroll, stored in an e-reader or tattooed on the side of a walrus. Rather than use the unwieldy expression "paper book" to describe the physical object we casually call a "book" - i.e., something that has two covers, a spine and a bunch of pages - I'm going to use the proper word, which is "codex".)

1. The Kindle is very easy and comfortable to read. Lots of people have written about how great the e-ink display is, and indeed it is very impressive. However, the fact that the device itself is so light and simple also makes a big difference, too. So, for example, I can lie on my side in bed or on the sofa and read for ages, without having to keep moving around or use my hands in awkward positions to steady the pages, as I would with a codex. I can lie the Kindle on my knee or a table and use two hands to eat, rather than having to dedicate one hand to holding open a codex and consequently spilling peas everywhere.

2. In other respects, the light weight isn't such a big benefit. So, for example, when I travel on holiday or business I've become so used to lugging around a case that is 50% books by volume, I don't think about it anymore.

3. Flickability, thumbability and indexing are a problem - especially with non-fiction books. With a codex, I can use my thumb to mark the page I'm reading while I flick back to find something I read earlier and remind myself of it. The Kindle search facility is OK, but demands more effort than looking at the index pages of a codex. In terms of combining readability with referenceability, the codex is still the better and more elegant technology.

4. Really, the Kindle is made for the kind of book you read straight through, rather than dip into. That's hardly a surprise, as I imagine it was primarily designed with novels in mind.

5. The first book I read on the new Kindle was Robin Harris' The Conservatives - A History. I chose this because I wanted to try out factual reading first. (Non-fiction accounts for about 75% of what I read). Although the Kindle edition (£15) cost half the cover price of the codex (£30), it doesn't feel like such good value. Thirty quid gets me an attractive object that will probably outlive me; fifteen quid gets me a bunch of data, which seems rather ephemeral. Also, I kind of like living in a house rammed to the rafters with codices. It feels civilised.

6. I'm very excited about the possibilities of Kindle publishing. I've had one print book published by a "proper" publisher, and the whole experience was a poorly-paying pain in the arse. Self-publishing a combined print/PDF book was much more profitable, but also a pain in the arse. The next project will be a self-published Kindle book, which I'm hoping will combine decent earnings with low levels of stress. We shall see.

So, do I think the Kindle is going to screw the codex? Yes, and no. It's better than I thought it would be, and I think the days of big publishers and high street chain bookstores are numbered as a result. Bookstores and publishers will both continue to exist, albeit becoming smaller, humbler and more specialist. People will still want codices, but possibly the codex market will begin to adjust in favour of smaller numbers of well-produced and well-written books, with non-fiction taking an increasing share of the total market and prices rising somewhat.

What sort of scam is this?

Just had this email through:

BEGINS

This email is intended to make you aware of the complaint number No
87710 filled with the International Chamber of Commerce by Hughes
Trading LTD on 13.06.2011.
The ICC is an arbitrary organization and this trough this message we
make an appeal to your common sense trying to reach a common ground
and debate the complaint filled by our member before moving forward to
legislative solution.
A copy of the complaint as well as more information regarding the
complaint filled against your company is available at :

http://www.trianglencdogtraining.com/complaint

The Commission on Arbitration aims to create a forum for experts to
pool ideas and impact new policy on practical issues relating to
international arbitration, the settlement of international business
disputes and the legal and procedural aspects of arbitration. The
Commission also aims to examine ICC dispute settlement services in
view of current developments, including new technologies.

ENDS

Any ideas?

@siriolg Thoughts on Winston Smith

...as per your request, and posted here because I've more to say that can be comfortably accommodated in 140 characters. In no particular order:

1. Interesting, and probably a deserving Orwell winner. I say "probably", because I would personally have preferred @jackofkent to win.

2. He's nowhere near as good as last year's winner, Nightjack - but then he really was exceptional.

3. I think I generally agree with his worldview, viz.

  • The state owes compassion and support to those who genuinely cannot help themselves;
  • However, many who receive such support probably don't need it;
  • We need to have firmer and clearer expectations that those who receive our support should do their best to become independent, while recognising that may not be possible for some;
  • The public administration of welfare contains layers of management more driven by ideology than practicality;
  • If you offer people a "wage" (however small) to do nothing, a small number will always accept that offer.
4. Given what he's saying, I'm pleased we've now got Iain Duncan Smith in at Work and Pensions - a man who, I think, understands that we cannot be effective in our compassion until we adopt an empirical, pragmatic approach rather than the ideological approach that is currently dominant.

Was that what you were after?

@dalesman47 It's the "chuck-chuck-chuck-tweet I'm trying to identify...

(download)

Sent from my iPhone

Short(ish), somewhat geeky discussion of Milton's Areopagitica (for @jackofkent et al) #LibelReform

We students of Milton were all pretty excited today when the old boy cropped up in the Court of Appeal's judgment on the Simon Singh/BCA case. In paragraph 23, the Law Lords quote from Milton's famous "speech" (in reality an essay) Areopagitica.

The section of Areopagitica the learned judges chose is a bit odd - one gets the impression they include it simply to remind us that free speech has distinguished antecedents in the English intellectual tradition, rather than specifically to co-opt Milton's point - but it's nice to see it there nonetheless.

If you're of a liberal and sceptical bent and you haven't read Areopagitica, I'd strongly recommend it. There's a (relatively) readable e-text here. If you want a cheapish print version (much easier to read: Milton's prose is elegant, but dense even by the standards of his own day) there's one included in the Oxford Edition of Milton's Major Works. By the way, if you don't have any Milton on your bookshelves (for shame!) this is the edition to get, because it also includes Paradise Lost.

Areopagitica is sometimes all but worshipped as a key influence on modern freedom of speech laws. It's certainly true that the arguments Milton formulates in the text had a profound impact, most famously on Thomas Jefferson and James Madison when they were drafting the US Constitution.

But is it fair to describe Milton as "the great hero of English free speech", as the excellent and estimable @jackofkent did today?

On balance, I certainly think he's a hero of free speech, if only because of Areopagitica's effect on later thinkers. However - to play devil's advocate for a few minutes - there's quite a lot, both in Areopagitica and in Milton's life and other works, to indicate that the notion of free speech he had in mind as he wrote was rather different from our modern one.

Licensing and prior restraint
First off, in Areopagitica Milton wasn't writing about freedom of speech in a general sense. He was making a specific case against the licensing of books, a system of so-called "prior restraint" that required each new book to be given government approval before it was published.

His argument is largely practical rather than ideological.There are, he contends, few people qualified to decide whether or not a book is dangerous or not, and, given the large volume of publication in the 1640s, they would quickly develop a backlog of works that needed checking. Such a backlog would delay publication of all books (including the ones the licencers approved) and thus have a chilling effect on intellectual debate.

Milton also highlights the risk that "good" books might be banned because of error or ignorance on the part of the licencers. In the most famous passage of the whole essay, he writes:

I deny not, but that it is of greatest concernment in the church and commonwealth, to have a vigilant eye how books demean themselves as well as men; and thereafter to confine, imprison, and do sharpest justice on them as malefactors: for books are not absolutely dead things, but do contain a potency of life in them to be as active as that soul was whose progeny they are; nay they do preserve as in a vial the purest efficacy and extraction of that living intellect that bred them. I know they are as lively, and as vigorously productive, as those fabulous dragons teeth; and being sown up and down, may chance to spring up armed men. And yet on the other hand unless wariness be used, as good almost kill a man as kill a good book; who kills a man kills a reasonable creature, God’s image; but he who destroys a good book, kills reason itself, kills the image of God, as it were in the eye. Many a man lives a burden to the earth; but a good book is the precious life-blood of a master spirit, imbalmed and treasured up on purpose to a life beyond life. [My emphasis]

Although Milton vigorously opposes prior restraint, he says that he has no problem with "church and commonweath [i.e., the state]" seeking to "confine, imprison, and do sharpest justice on [books]" after they have been published.

In other words, it is not censorship in and of itself that he disagrees with, but rather the specific system of censorship that is prior restraint. It is only "good" books he thinks should be protected from being "killed"; he has no objection to the "killing" of "bad" books - it's just that attempting to do so before they are published would have unacceptable practical consequences.

(Milton went on to practise what he preaches in Areopagitica, working as a censor for the Parliamentary and Protectoral governments of the 1650s. "Bad" books, in the 1650s, were Catholic tracts and texts advocating restoration of the Monarchy, both of which Milton viewed as inimical to his conception of liberty of conscience, which he valued far more highly than freedom of speech.)

Exactly how "bad" books might be identified, Milton doesn't make precisely clear, though the implication is that it will be by general consensus of those qualified to know:

...he [a Latin commentator Milton is discussing] might have added another remarkable saying of the same author [St. Paul]; to the pure all things are pure, not only meats and drinks, but all kind of knowledge whether of good or evil; the knowledge can not defile, nor consequently the books, if the will and conscience be not defiled. For books are as meats and viands are, some of good, some of evil substance; and yet God in that unapocryphal vision, said without exception rise Peter, kill and eat, leaving the choice to each man’s discretion. [My emphasis]

So, in Milton's view, the "pure" (i.e., godly protestants) can be trusted to read what they like and suffer no harm. The impure, by implication, cannot. Milton reinforces this by making the point that although he is opposed to licensing, neither is he in favour of "licence" - that is, a licentious free-for-all in which anything can be published and read by anyone.

Areopagitica is important because it represents the first major flowering of some key ideas that grew into the modern conception of freedom of speech, and Milton deserves due credit for them. But was he advocating free speech as we understand the idea today? He certainly wasn't.

#room1 video

(download)

Sent from my iPhone

Choral Concert for UNICEF Haiti Appeal, St Mary's, Caernarfon, Sat 27th: £5 OTD, u16s FREE! #room1

Haiti

Young members of Caernarfon’s Canolfan Gerdd William Mathias Music
Centre Chamber Choir are putting on a charity concert to raise money
for victims of the Haiti earthquake.

The concert will include choral music by Vivaldi and local composers
William Mathias and Dilys Elwyn Edwards, as well as solo performances
by singers from the choir. Arthur Wilding and Glian Llwyd will provide
accompaniment.

The idea for the concert came from choir member Tom Niesser. ‘An
earthquake is a disaster to any area and will always have dire
consequences,’ says Tom, 16. ‘But for it to happen in Haiti, where the
average wage is less than £1.50 a day, is a tragedy.’

‘I started thinking what my friends and I, thousands of miles away
could do to help. We came up with the idea of a charity concert.’

The 18-strong choir, with members ranging in age from 12 to 35,
rehearses at the William Mathias Music Centre at Galeri, Caernarfon.
Within the past year the choir has won accolades for exceptional
performances at a number of local concerts. In September it appeared
on S4C, following a widely-praised appearance at the St. Asaph
International Music Festival.

‘I’m really proud of them,’ says conductor Jenny Pearson. ‘Having the
idea for the Haiti Concert is typical of the kind of commitment they
put into their music.’

The concert takes place at 7.30pm on Saturday 27th March in St. Mary’s
Church, Caernarfon. Tickets, priced £5 for adults, are available on
the door. Under-16s will be admitted free. All proceeds will go
directly to UNICEF’s Haiti Appeal.

Note to self

I don't usually indulge in marketing-related posts, but here's some stuff I've learned while working on my Jamcast and book project over the past few months. Some of it is dead obvious to the point of being platitudinous, but you don't realise the truth of this stuff until you experience it for yourself.

1. People don't mind paying for a physical product (e.g., a book), but if web-based material (e.g., how-to video) has a price tag attached they get resentful.

2. Substance trumps style every single time. People don't care about amateur levels of presentation if the content is strong.

3. A truly good product needs advertising, but not hype - it sells itself.

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